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#Apple mainstage arpeggiator how to

11 is the MIDI continuous controller (CC) number for expression. In our example screenshot, the expression pedal’s screen control is named “Expression Pedal,” and it’s currently mapped to 11 (Expression).

View your Assignments & Mappings in Edit Mode, and you should see something like this. The solution to this is to map the expression to control Output 1 – 2 (master volume) with a range of -infinite dB to 0 dB, and disable the expression dial control. This can lead to volume balancing issues between patches and other things you don’t want to deal with. Depending on your settings, the dials may not reset to 127 after a patch change. While this does technically allow you to control volume, it’s not the best way to do it.

After preparing a concert, you may want to consider saving it as a template for future use.īy default, the expression pedal controls the expression dial which can be seen at the top of every channel strip.

Remove any unneeded channel strips and effects (MainStage’s default layouts usually have channel strips for reverbs and delays).

Make sure all your controllers are assigned correctly in Layout Mode and in Assignments & Mappings.

Here are a few things you should double check before the programming process. In this chapter, we’ll start off with a brief discussion of keyboard programming standards, followed by a number of detailed examples. After that, you learned about the hierarchy of a MainStage concert and virtual instrument and effects plugins.

#Apple mainstage arpeggiator how to

We then discussed how to connect your gear to MainStage. We started off by giving you an introduction to digital audio and how it relates to MainStage. By this point, you should have a good understand of how MainStage operates.